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Jan 22

Final Cut Pro X 10.3.2 Multilangual (Mac OS X)

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Final Cut Pro X 10.3.2 Multilangual | MacOSX | 2.92 Gb

Completely redesigned from the ground up, Final Cut Pro adds extraordinary speed, quality, and flexibility to every part of the post-production workflow.

Revolutionary Video Editing
– Assemble clips in the Magnetic Timeline without clip collisions or sync problems
– Use Clip Connections to attach B-roll, sound effects, and music to the timeline
– Reduce clutter by grouping clips into a Compound Clip.
– Perfect your pacing right in the timeline with the Inline Precision Editor
– Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
– Edit multi-camera projects with automatic sync and support for up to 64 camera angles

Powerful Media Organization
– Organize your work within libraries for efficient media management and collaboration
– Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
– Content Auto-Analysis captures camera metadata and analyzes shots in the background
– Create and apply custom keywords on the fly as you select ranges in clips
– Smart Collections let you dynamically organize content and find any shot in a few clicks

Incredible Performance
– Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
– 64-bit architecture uses all the RAM in your system for larger projects and richer effects
– Background processing lets you keep working without interruption
– External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices

Compelling, Customizable Effects
– Beautifully animated, easily customizable 2D and 3D titles
– Preview effects to see how they look with your footage before applying them
– Change the look of titles, transitions, and effects using intuitive controls
– Control effects with precision using a keyframe editor that appears directly in the timeline
– Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support

Integrated Audio Editing
– Expand and edit multichannel audio files directly in the timeline
– Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
– Sync DSLR video with separate audio in a single step, with instant audio waveform matching

Intuitive Color Grading
– Improve the look of any clip with the single-click Balance Color feature
– Apply the Match Color feature to match the looks of two clips shot under different conditions
– Manipulate color, saturation, and exposure with the Color Board
– Fine tune color for a specific color range or area of the screen using keying and masks

One-Step, Optimized Output
– Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
– Use themed menus to quickly author and burn a DVD or Blu-ray disc
– Export customized audio stems and multiple versions of a finished video using Roles metadata
– Import and export XML to support third-party workflows

Whats New in Version 10.3
New Interface
– Redesigned dark interface puts the focus on your video
– Configure window layouts into custom workspaces for tasks like organizing and color grading
– Fill a second display with the timeline or hide the timeline completely
– Expand the Inspector to full-screen height

Magnetic Timeline 2
– Color coding of clips based on roles such as dialogue, music, and effects lets you understand your project at a glance
– Create, assign, and customize the colors of roles to identify different types of audio and video clips
– Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
– Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
– Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
– Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
– iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
– Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
– Images are now viewable in wide color on supported Mac computers and external displays
– Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
– Configure color spaces for both libraries and projects
– Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
– Range check overlay in the viewer highlights areas out of the standard RGB range
– Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
– Tap to execute common functions like volume control, fade in and out, and media import
– Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
– View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
– MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
– MXF master file export uses audio roles to configure industry-standard channel layouts
– Support for Canon Log2/Cinema Gamut and Panasonic V-Log
– Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
– Playback support for Panasonic AVC-Intra LT
– Export AVC-Intra files

Additional Features
– Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
– Remove Effects and Remove Attributes commands let you delete specific effects from clips
– SMB 3 network support enables library access on network-attached storage devices
– Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
– Copy and paste timecode to speed up numerical entry from text documents
– Consolidate custom Motion projects into individual Final Cut Pro libraries
– Option for continuous playback of clips in the Browser
– Search custom metadata in the Browser and Timeline
– Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
– Ability to roll trim on adjacent anchored clips
– Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
– Skim and select ranges of audio files in the Music and Sound Effects browser
– Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
– XML 1.6 supports role-based audio components for Magnetic Timeline 2
– Enhanced XML support lets you import projects and clips into existing events
– Ability to drag and drop clips, projects, and events as XML with supported applications

New in 10.3.2:
– Ability to add custom folders of audio files to the Sound Effects browser
– Using ripple delete on audio-only clips no longer disables the selected range
– Audio meters retain custom width after relaunch
– Improves responsiveness when editing very long projects
– Improves performance when exporting H.264 files and changing frame rate
– Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
– Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
– Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
– Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

System requirements:
– OS X 10.11.4 or higher
– 4GB of RAM (8GB recommended for 4K)
– OpenCL-capable graphics card or Intel HD Graphics 3000 or later.
See. Minimum system on the official site
– 256MB of VRAM (1GB recommended for 4K)
– 3.5GB of disk space

The installation procedure:
Mount the image and see the Help.txt why so …
Further to the selection, installation as usual or via Open Gatekeeper friendly
K’ed by TNT

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