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Feb 14

Samples From Mars VP-330 From Mars MULTiFORMAT


Samples From Mars VP-330 From Mars MULTiFORMAT | 7.57 Gb

The VP-330 is a vintage, 10 band analog vocoder and string synth from the late 70s, regarded as one of the best sounding vocoders of all time. It’s been used by Laurie Anderson, Midnight Star, Vaneglis, Pink Floyd – the list goes on. And although there have been many vocoders in the decades since its release (including a poor excuse of a remake), the VP-330 still remains the most iconic, continuing to forge expressive and unique vintage vocal textures and sounds.

We’ve extensively multi-sampled this beauty, cleanly capturing presets through the famous vocoder and lush analog string section, as well as completely customizing patches, vocoding with various input carriers, harmonizing dark strings with an Eventide H3000, synthesizing trashy pads through classic third party hardware (Roland Space Echo), and more. The vocoder is one of the few categories of synthesis that has truly historical beginnings. Originally invented by Bell Labs during WWII, the vocoder provided instant communication between world leaders, safe from Nazi and Japanese eavesdroppers. FDR used it to coordinate the infamous D-Day landings with his allies, and Churchill absolutely detested the new technology, spouting how unnatural and demonic it sounded…and honestly it’s been tripping people out ever since.

Fast forward 70 years and (even though we aren’t still fighting Nazis) the vocoder still manages to capture our attention through its balance of robotic and human textures – kind of like the sexy sci-fi cyborg that we still somehow find irresistibly attractive (Battlestar Galactica, anyone?) So, we got our hands on two of the most classically renowned vocoders, Roland’s VP-330 and its rack-mounted brother, the SVC-350, and went to town on some instruments and loops, in an effort to capture the elusive harmony of man and machine. During the recording process we focused primarily on three main categories: the vocoder engine, the synth engine (comprised of a rich sounding vocal ensemble and lush analog strings), and finally, a combo of both vocoder and synth. Lastly, we used the Roland SVC-350 (a rackmount unit featuring the same 10 band vocoder), and pumped drum beats through it to create some wild, melodic and percussive loops.


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